≈ 130 × 93 cm
Three medallions on a deep burgundy ground. That's the whole story — and it's more than enough. The central one leads in pink and green, the two flanking it quieter in cream and purple. Around them, the borders erupt: hourglass forms, hooked diamonds and small cross motifs in every color the dye pot could offer.
This kilim doesn't wait to be noticed.
Handcrafted in Milas (Turkey)
Vintage — mid-20th century
Vivid synthetic dyes in electric pink, teal, yellow-green, orange and deep burgundy
Three-medallion composition on an unbroken dark field
One of a kind — never repeated, never mass-produced
High-quality wool, built to last generations
A fearless, joyful piece, ready to find its next home.
Dominating motif: Rose medallion (Gül) — Three large hexagonal medallion forms anchor the dark field, each one built from hooked diamonds and triangular forms radiating outward. The sources describe the gül as the most important tribal motif in Anatolian kilims — a heraldic symbol of tribal identity, its sources and exact meaning deliberately kept within the tribe. Here, three of them hold the composition together with quiet authority beneath all that color.
≈ 130 × 93 cm
Three medallions on a deep burgundy ground. That's the whole story — and it's more than enough. The central one leads in pink and green, the two flanking it quieter in cream and purple. Around them, the borders erupt: hourglass forms, hooked diamonds and small cross motifs in every color the dye pot could offer.
This kilim doesn't wait to be noticed.
Handcrafted in Milas (Turkey)
Vintage — mid-20th century
Vivid synthetic dyes in electric pink, teal, yellow-green, orange and deep burgundy
Three-medallion composition on an unbroken dark field
One of a kind — never repeated, never mass-produced
High-quality wool, built to last generations
A fearless, joyful piece, ready to find its next home.
Dominating motif: Rose medallion (Gül) — Three large hexagonal medallion forms anchor the dark field, each one built from hooked diamonds and triangular forms radiating outward. The sources describe the gül as the most important tribal motif in Anatolian kilims — a heraldic symbol of tribal identity, its sources and exact meaning deliberately kept within the tribe. Here, three of them hold the composition together with quiet authority beneath all that color.
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